{"id":389,"date":"2017-04-24T16:51:24","date_gmt":"2017-04-24T16:51:24","guid":{"rendered":"https:\/\/trengo.wordpress.com\/?page_id=389"},"modified":"2018-06-23T15:35:23","modified_gmt":"2018-06-23T15:35:23","slug":"programacao","status":"publish","type":"page","link":"https:\/\/www.ervadaninha.pt\/trengo.pt\/programacao\/","title":{"rendered":"Programa 2018"},"content":{"rendered":"
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PROGRAMA RESUMO baixar aqui<\/a><\/p>\n

30 JUNHO<\/strong> \u203a 30th June<\/span><\/p>\n

Arque\u0301tipo Acto II *<\/em> \u203a Radar 360\u00ba <\/strong><\/span>(PT) \u203a 16:00 \u203a 45\u2019 \u203a Jardim Paulo Vallada<\/p>\n

De facto, ele na\u0303o e\u0301 o Romeu…e ela na\u0303o e\u0301 a Julieta, mas a performance propo\u0303e-se a ser a\u0300 sua maneira, uma reescrita improva\u0301vel de Shakespeare danc\u0327ado! Neste segundo Ato, o conceito de suspensa\u0303o esta\u0301 presente como um elemento em formato de subtexto, e funciona como um gatilho para explorar tempos, emoc\u0327o\u0303es, dina\u0302micas e movimentos.<\/p>\n<\/div>\n<\/div>\n

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In fact, he\u2019s not Romeo … and she\u2019s not Juliet, but the performance sets out to be her way, an improbable rewrite of Shakespeare danced! In this second Act, the concept of suspension is present as a sub-text element, and functions as a trigger to explore times, emotions, dynamics, and movements<\/span> * ESTREIA \/ PREMIER<\/span><\/p>\n

\"ddd1\"<\/p>\n

ANTO\u0301NIO FRANCO OLIVEIRA direc\u0327a\u0303o arti\u0301stica e sonoplastia artistic direction and sound<\/span> \u203a JOANA MARTINS, JOA\u0303O SANTIAGO bailarinos e inte\u0301rpretes dancers and interpretation<\/span> \u203a JULIETA RODRIGUES, RUI AZEVEDO maquinistas e inte\u0301rpretes machines and interpretation<\/span> \u203a AME\u0301RICO CASTANHEIRA cenografia set<\/span> \u203a JULIETA RODRIGUES figurinos costumes<\/span> \u203a ASHLEIGH GEORGIOU, TERESA COUTO vi\u0301deo e imagem video and image<\/span> \u203a RADAR 360\u00b0, FESTIVAL DDD, TRENGO 2018, FESTIVAL VAUDEVILLE RENDEZVOUS, GDA coproduc\u0327a\u0303o coproduction<\/span><\/p>\n

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Enva\u0300*<\/em> \u203a Amer i A\u0301frica<\/strong><\/span> (ES) \u203a 17:00 \u203a 45\u2019 \u203a Jardim Paulo Vallada<\/p>\n

Entre 250kg de palha e 125kg de massa humana, duas pessoas brincam pelo movimento, equili\u0301brio, humor e composic\u0327a\u0303o do espac\u0327o, explorando as peculiaridades das relac\u0327o\u0303es humanas. Viajando da intimidade para o exterior, atrave\u0301s da honestidade, Enva\u0300 oferece uma alegoria a\u0300s paredes mentais que nos aprisionam.<\/p>\n

Between 250kg of straw and 125kg of human mass, two people play around through the movement, balance, humour and composition of space, exploring the peculiarities of human relationships. Traveling from intimacy to the outside, through honesty Enva\u0300 offers an allegory to the mental walls that imprison us.<\/span> * ESTREIA NACIONAL \/ PORTUGAL PREMIER<\/span><\/p>\n

\"Foto
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AMER I A\u0301FRICA conceito original e interpretac\u0327a\u0303o original concept and interpretation<\/span> \u203a JORGE ALBUERNE & KARL STETS olhar externo external view<\/span> \u203a KARL STETS mu\u0301sica music<\/span> \u203a KARL STETS iluminac\u0327a\u0303o light<\/span><\/p>\n

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Fugu*<\/em> \u203a Gilberto Oliveira e Margarida Fernandes<\/strong><\/span> (PT) \u203a 19:00 \u203a 50\u2019 \u203a Teatro Rivoli<\/p>\n

O poder assume muitas formas e tem de ser manipulado com extremo cuidado, caso contra\u0301rio a sua toxicidade e\u0301 letal. Ele esta\u0301 nas entranhas da sociedade e sustenta as suas mais variadas estruturas. Desde sempre o bino\u0301mio \u201cpoder e homem\u201d lutam pelo domi\u0301nio um do outro.<\/p>\n

Power takes many forms and has to be handled with extreme care, otherwise its toxicity is lethal. It is in the bowels of society and sustains its most varied structures. Since always the binomial \u201cpower and man\u201d struggle for domination of each other <\/span><\/p>\n

* ESTREIA \/ PREMIER<\/span><\/p>\n

\"GILBERTO<\/p>\n

GILBERTO OLIVEIRA, MARGARIDA FERNANDES criac\u0327a\u0303o e interpretac\u0327a\u0303o cocreation and interpretation<\/span> \u203a INE\u0302S MARIANA MOITAS espac\u0327o ce\u0301nico e figurinos scenic space and costumes<\/span> \u203a PEDRO LIMA sonoplastia sound<\/span> \u203a ROMEU GUIMARA\u0303ES luz light<\/span> \u203a INE\u0302S LUA, RODRIGO MALVAR, RUI GOMES apoio arti\u0301stico artistic support<\/span> \u203a TRENGO 2018 apoio a\u0300 criac\u0327a\u0303o creation support<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\u00a0<\/span><\/p>\n

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Savar A.M.<\/em> \u203a Erva Daninha<\/strong> <\/span>(PT) \u203a 21:30 \u203a 35\u2019 \u203a Jardim Paulo Vallada<\/p>\n

Fios e linhas fra\u0301geis sustentam pedras e ferros, os alicerces da ma\u0301quina. Por fim, com ou sem colapso, a pec\u0327a final nasce: o par de calc\u0327as. Revela a sua resiste\u0302ncia e vigor escondendo o esforc\u0327o e suor do sistema industrial.<\/p>\n

Yarns and fragile lines support stones and irons, the foundation of the machine. Finally, with or without collapse, the final piece is born: the pair of pants. It reveals its strength and stamina by hiding the strain and sweat of the industrial system.<\/span><\/p>\n

\"1694_Jose<\/p>\n

VASCO GOMES direcc\u0327a\u0303o arti\u0301stica artistic direction<\/span> \u203a DANIEL SEABRA, LILIANA GARCIA, VASCO GOMES criac\u0327a\u0303o e interpretac\u0327a\u0303o cocreation and interpretation<\/span> \u203a BALTAZAR MOLINA mu\u0301sica music<\/span> \u203a ROMEU GUIMARA\u0303ES luz light<\/span> \u203a JULIETA GUIMARA\u0303ES assiste\u0302ncia e concec\u0327a\u0303o pla\u0301stica assistance and plastic design<\/span> \u203a TEATRO MUNICIPAL
\nDO PORTO coproduc\u0327a\u0303o coproduction<\/span><\/p>\n

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1 JULHO \u203a 1st JULY <\/span><\/b><\/span><\/p>\n

O Carteiro<\/em> \u203a <\/b><\/span>Thorsten Gr\u00fctjen<\/span> <\/b>(DE\/PT) <\/span>\u203a 16:00 \u203a 30\u2019 \u203a Parque do Covelo
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O carteiro \u00e9 um funcion\u00e1rio muito dedicado, recentemente eleito funcion\u00e1rio do m\u00eas. Tira partido deste seu estatuto e apresenta o seu diploma. Carrega um embrulho de dimens\u00f5es pouco normais em busca do destinat\u00e1rio certo. <\/span><\/p>\n

The postman is a very dedicated employee, recently elected employee of the month. Take advantage of this status and submit your diploma. Carries a package of unusual dimensions in search of the right recipient.<\/span><\/p>\n

\"Captura<\/p>\n

THORSTEN GR\u00dcTJEN cria\u00e7\u00e3o e interpreta\u00e7\u00e3o <\/span>creation and interpretation <\/i><\/span><\/p>\n

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El Apartamento <\/i>\u203a <\/b><\/span>Cirk About It<\/span> <\/b>(ES) <\/span>\u203a 17:00 \u203a 50\u2019 \u203a Parque do Covelo <\/span><\/p>\n

Quando o circo \u00e9 o protagonista na sala, tudo pode escapar \u00e0 normalidade e ser excepcional. Circk About It <\/i>explica como podemos romper a rotina acrescentando umas gotas de circo. <\/span><\/p>\n

When the circus is the protagonist in the room, everything can escape normalcy and be exceptional. Circk About It explains how we can break the routine by adding a few circus drops.<\/i><\/span><\/p>\n

\"promo1.jpg\"<\/p>\n

ALFONSO ALONSO (El Gran Rufus) dire\u00e7\u00e3o art\u00edstica <\/span>artistic direction <\/i><\/span>\u203a LAURA BARBA RUIZ, DAVID TORNADIJO, MIGUEL MOLINERO GARC\u00cdA interpreta\u00e7\u00e3o <\/span>interpretation <\/i><\/span>\u203a MARCOS GARC\u00cdA, PAULA CARRERA cenografia <\/span>set <\/i><\/span>\u203a CHELO RUIZ, TRINI ARCE figurinos <\/span>costumes<\/i><\/span><\/p>\n

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Trengolas<\/span> \u203a 18:00 \u203a 60\u2019 \u203a Parque do Covelo <\/b><\/span><\/p>\n

Mostra de processos de espet\u00e1culos em constru\u00e7\u00e3o <\/span>working progress of shows under construction<\/span> <\/i><\/span><\/p>\n

Fase dispersa <\/i>\u203a <\/b><\/span>Teresa Santos<\/span> (PT)
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O objeto que est\u00e1 em rela\u00e7\u00e3o com o corpo e que provoca o movimento. A manipula\u00e7\u00e3o de objetos aparece como extens\u00e3o do pr\u00f3prio corpo e suas inquieta\u00e7\u00f5es, colocando-o num estado ou qualidade de consci\u00eancia. <\/span><\/p>\n

The object that is in relation to the body and that causes the movement. The manipulation of objects appears as an extension of the body itself and its restlessness, placing it in a state or quality of consciousness<\/span>.<\/i><\/span><\/p>\n

\"Teresa<\/p>\n

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Wake up <\/i>\u203a <\/b><\/span>Leonardo Ferreira e Corentin Diana<\/span> (PT\/FR)<\/b><\/span><\/p>\n


\n<\/b><\/span>Dois homens surgem numa trajet\u00f3ria sem fim, o percurso \u00e9 linear e cont\u00ednuo, e as suas temporalidades distinguem-se. A comunica\u00e7\u00e3o \u00e9 dram\u00e1tica e evolui num sentido gestual e acrob\u00e1tico. <\/span><\/p>\n

Two men appear in an endless trajectory, the course is linear and continuous, and their temporalities are distinguished. The communication is dramatic and evolves in a gestural and acrobatic sense.<\/i><\/span><\/p>\n

\"Captura<\/p>\n

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6 JULHO \u203a 6th JULY <\/span><\/b><\/span><\/p>\n

Rojo est\u00e1ndar <\/i>\u203a <\/b><\/span>Lan\u00f6rdika<\/span> (ES) <\/b><\/span>\u203a 19:00 \u203a 45\u2019 \u203a Jardim Paulo Vallada <\/b><\/span><\/p>\n

A partir do movimento como for\u00e7a centr\u00edfuga e constante ao longo do espet\u00e1culo, dois seres opostos est\u00e3o em uma cena banhada pelo surrealismo, onde o que \u00e9 apresentado como padr\u00e3o deixa de existir. <\/span><\/p>\n

From the movement as a centrifugal force and constant throughout the show, two opposing beings are in a scene bathed by surrealism, where what is presented as standard ceases to exist.<\/i><\/span><\/p>\n

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DAR\u00cdO DUMONT, GRETA GARC\u00cdA cria\u00e7\u00e3o e interpreta\u00e7\u00e3o <\/span>creation and interpretation <\/i><\/span>\u203a ALBA SARRAUTE dramaturgia <\/span>dramaturgy <\/i><\/span>\u203a NOELIA ROSA assist\u00eancia <\/span>assistance <\/i><\/span>\u203a EN ASCUAS FORJA, PEPE DEL PINO, ANNA JONSSON cen\u00e1rio <\/span>set <\/i><\/span>\u203a ERNESTO MONZA ilumina\u00e7\u00e3o <\/span>light <\/i><\/span>\u203a ANNA JONSSON figurinos <\/span>costumes <\/i><\/span>\u203a MORTEN JESPERSEN m\u00fasica <\/span>music<\/i><\/span><\/p>\n

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Baixos e Altos<\/em> \u203a\u00a0<\/b><\/span>FIAR<\/span><\/strong> [PT] 21h30 | 60\u00b4 | Teatro Rivoli |<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Assim, as surpresas da vida surpreender-te-\u00e3o menos. Pensa em labirintos, em tramas de tecidos, em caminhos, pontos cruzados, montanhas russas, em idas e vindas. Lembra-te da beleza da surpresa e da magnitude do desconhecido. <\/span><\/p>\n

So the surprises of life will surprise you less. He thinks of labyrinths, of woven cloths, of paths, of cross- stitches, of roller coasters, of comings and goings. Remember the beauty of the surprise and the magnitude of the unknown.<\/i><\/span><\/p>\n

\"Captura<\/span><\/p>\n

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DOLORES DE MATOS coordena\u00e7\u00e3o art\u00edstica <\/span>artistic coordination <\/i><\/span>\u203a BLANKO POTOCAN dire\u00e7\u00e3o art\u00edstica e espa\u00e7o c\u00e9nico <\/span>artistic direction and scenic space <\/i><\/span>\u203a CAROLINA RAMOS, RINI LUYKS cocria\u00e7\u00e3o e interpreta\u00e7\u00e3o <\/span>cocreation and interpretation <\/i><\/span>\u203a DOLORES DE MATOS participa\u00e7\u00e3o <\/span>participation <\/i><\/span>\u203a ALEXANDRE NOBRE som <\/span>sound<\/i><\/span><\/p>\n

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7 JULHO \u203a 7th JULY <\/span><\/b><\/span><\/p>\n

Noos <\/i>\u203a <\/b><\/span>Justine Berthillot & Fr\u00e9d\u00e9ri Vernier<\/span> (FR) <\/b><\/span>\u203a 18:00 \u203a 40\u2019 \u203a Jardim Paulo Vallada <\/b><\/span><\/p>\n

Noos: como dois corpos podem se tornar um? Noos s\u00e3o dois acrobatas: uma base e um panfleto, questionando a cria\u00e7\u00e3o de um relacionamento. Dar energia, apoiar e ser apoiado, respirando a vida um do outro at\u00e9 se perder … At\u00e9 que ponto podemos dar e receber? <\/span><\/p>\n

Noos: how can two bodies become one? Noos is two acrobats: A base and a flyer, questioning the making of a relationship. Giving energy, supporting and being supported, breathing life into one the other until loosing oneself… Up to which point can we give and receive?<\/i><\/span><\/p>\n

\"Foto<\/p>\n

JUSTINE BERTHILLOT, FR\u00c9D\u00c9RI VERNIER cria\u00e7\u00e3o e interpreta\u00e7\u00e3o <\/span>creation and interpretation<\/span> <\/i><\/span>\u203a ANTOINE HERNIOTTE som <\/span>sound <\/i><\/span>\u203a EMMANUELLE GROBET figurinos <\/span>costumes <\/i><\/span>\u203a JULIE BERES, SAMUEL LEFEUVRE olhar externo <\/span>external view <\/i><\/span><\/p>\n

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Indomador <\/i>\u203a <\/b><\/span>Animal Religion<\/span> (ES) <\/b><\/span>\u203a 19:00 \u203a 45\u2019 \u203a Jardim Paulo Vallada <\/b><\/span><\/p>\n

Este animal\u00e1rio \u00e9 uma aposta pelo risco constante. Um espet\u00e1culo que nos mostra a for\u00e7a incontrol\u00e1vel que todos temos c\u00e1 dentro e que nos conecta com o nosso lado animal mais profundo. Corpos transg\u00e9nicos, verticais, acrobacias com tac\u00f5es, colher dentro do nariz, lutas de galos, dan\u00e7as rituais! <\/span><\/p>\n

This animal is a constant risk bet. A spectacle that shows us the uncontrollable force that we all have inside and that connects us with our deeper animal side. Transgenic bodies, vertical, acrobatics with heels, spoon inside the nose, fights of roosters, ritual dances.<\/i><\/span><\/p>\n

\"Captura<\/p>\n

QUIM GIR\u00d3N ideia original e interpreta\u00e7\u00e3o <\/span>original idea and interpretation<\/span> <\/i><\/span>\u203a ALBA SARRAUTE olhar externo <\/span>external view <\/i><\/span>\u203a MATHIEU LEMAT PERNAUD desenho de som <\/span>sound <\/i><\/span>\u203a MARIA BARTRONS cenografia e figurinos <\/span>set and costumes <\/i><\/span><\/p>\n

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Mundo Interior <\/i>\u203a <\/b><\/span>O \u00daltimo Momento & Jo\u00e3o Garcia Miguel<\/span> (FR\/PT) <\/b><\/span>\u203a 21:30 \u203a 60\u2019 \u203a Teatro Rivoli <\/b><\/span><\/p>\n

A palavra \u00e9 uma capa que cobre, \u00e9 uma forma de ocultar a for\u00e7a, o est\u00edmulo, a energia, as ideias, o cora\u00e7\u00e3o. A palavra \u00e9 um oculto. Qual \u00e9 a proeza da palavra? Qual \u00e9 a proeza de subir ao mastro da palavra? <\/span><\/p>\n

The word is a cover that covers, it is a way of hiding the strength, the stimulus, the energy, the ideas, the heart. The word is a hidden one. What is the feat of the word? What is the feat of rising to the mast of the word?<\/i><\/span><\/p>\n

\"Foto<\/p>\n

JO\u00c3O GARCIA MIGUEL dire\u00e7\u00e3o <\/span>direction <\/i><\/span>\u203a JO\u00c3O PAULO SANTOS interpreta\u00e7\u00e3o <\/span>interpretation <\/i><\/span>\u203a MIGUEL BORGES voz <\/span>voice<\/span> <\/i><\/span>\u203a TIAGO CERQUEIRA m\u00fasica <\/span>music <\/i><\/span>\u203a ANA LUENA figurinos <\/span>costumes <\/i><\/span>\u203a LU\u00cdS BOMBICO luz <\/span>light <\/i><\/span>\u203a RITA COSTA assist\u00eancia dire\u00e7\u00e3o <\/span>assistance <\/i><\/span>\u203a RAQUEL MATOS produ\u00e7\u00e3o executiva <\/span>production <\/span>\u203a HVCROM constru\u00e7\u00e3o do estrado \u203a RITA PRATA apoio adere\u00e7os <\/span>props support <\/i><\/span>\u203a MANUEL CHAMBEL dire\u00e7\u00e3o de som <\/span>sound direction <\/i><\/span>\u203a TIAGO DA C\u00c2MARA PEREIRA gest\u00e3o de projetos <\/span>project management<\/i><\/span><\/p>\n

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8 JULHO \u203a 8th JULY<\/span><\/b><\/span><\/p>\n

Ch\u00e1 das cinco<\/i><\/span>* <\/i><\/span>\u203a <\/b><\/span>Cora\u00e7\u00e3o nas M\u00e3os<\/span> (PT) <\/b><\/span>\u203a 16:00 \u203a 40\u2019 \u203a Parque do Covelo <\/b><\/span><\/p>\n

Pe\u00e7a para quatro amigas mais uma que nunca chega. O presente, o aqui e o agora, aquando do bebericar e do desfrutar da ess\u00eancia da infus\u00e3o. Mas, ao contr\u00e1rio do que se espera, a paz n\u00e3o acontece. <\/span><\/p>\n

A play for four friends plus one who never comes. The present, the here and now, when sipping and enjoying the essence of the infusion. But, contrary to expectations, peace does not happen.<\/i><\/span><\/p>\n

<\/i>* ESTREIA \/ PREMIER<\/i><\/span><\/p>\n

\"Ch\u00e1
\u00a9 JPedro Martins<\/figcaption><\/figure>\n

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DANIELA CASTRO, JOANA MARTINS, MARTA COSTA, RITA MARTINS cria\u00e7\u00e3o e interpreta\u00e7\u00e3o <\/span>creation and interpretation<\/i><\/span>\u203a VENTOS E TEMPESTADES – ASS. CULTURAL, ACADEMIA DE DAN\u00c7A DE MATOSINHOS, EST\u00daDIO 80 – PILATES apoio\u00a0support<\/i><\/span>\u00a0\u203a TRENGO 2018 apoio \u00e0 cria\u00e7\u00e3o projeto emergente <\/span>support for emergent project creation<\/i><\/span><\/p>\n

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Trengolas<\/span> \u203a 17:00 \u203a 70\u2019 \u203a Parque do Covelo <\/b><\/span><\/p>\n

Mostra de processos de espet\u00e1culos em constru\u00e7\u00e3o <\/span>working progress of shows under construction<\/span> <\/i><\/span><\/p>\n

Heaven <\/i>\u203a <\/b><\/span>Daniel Gon\u00e7alves<\/span> (PT)<\/b><\/span><\/p>\n

Heaven <\/i>\u00e9 um espet\u00e1culo em que o palha\u00e7o anda a deambular pela vida. De um lado para o outro, de cima para baixo da esquerda para a direita. Carregando malas, carregando mem\u00f3rias, carregando situa\u00e7\u00f5es. <\/span><\/p>\n

Heaven is a spectacle in which the clown walks around in life. From side to side, from top to bottom from left to right. Carrying suitcases, carrying memories, carrying situations.<\/i><\/span><\/p>\n

\"Captura<\/p>\n

Minha Pequena Janela <\/i>\u203a <\/b><\/span>Sara Sofia e Daniel Benegassi<\/span> (PT\/ES)
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Conta a hist\u00f3ria de duas personagens muito peculiares. Afastadas no tempo mas juntas na solid\u00e3o, a solid\u00e3o de tudo ter e tudo perder. <\/span><\/p>\n

It tells the story of two very peculiar characters. Away in time but together in solitude, the loneliness of having everything and losing everything.<\/span> <\/i><\/span><\/p>\n

\"DSC04321.jpg\"<\/b><\/span><\/p>\n

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OUTRAS TRENGUICES<\/b><\/span><\/p>\n

BITS OF CIRCUS de Susana Chic\u00f3\u00a0\u203a\u00a0<\/strong>exposi\u00e7\u00e3o fotogr\u00e1fica de bolso\u00a0\u203a 30 jun a 8 jul<\/p>\n

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TREINO ABERTO<\/strong> \u203a 2 Julho \u203a 18:00 – 21:00 \u203a Teatro Campo Alegre<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

CAF\u00c9 TRENGO <\/b>\u203a Conversas sobre percursos mo<\/span>derada por Lu\u00edsa Moreira \u203a 21:30 \u203a Caf\u00e9 Rivoli <\/span><\/p>\n

ANT\u00d3NIO OLIVEIRA <\/span>(Radar 360\u00ba) \u203a 3 Julho<\/span><\/p>\n

JO\u00c3O PAULO DOS SANTOS <\/span>(O \u00daltimo Momento) \u203a 4 Julho <\/span><\/p>\n

VASCO GOMES <\/span>(Erva Daninha) \u203a 5 Julho <\/span><\/p>\n

TRENGOS <\/b><\/span><\/p>\n

JULIETA GUIMAR\u00c3ES, VASCO GOMES dire\u00e7\u00e3o e programa\u00e7\u00e3o \u203a ADELAIDE OS\u00d3RIO produ\u00e7\u00e3o \u203a RUI VITORINO SANTOS imagem \u203a ASHLEIGH GEORGIOU v\u00eddeo e fotografia \u203a RODRIGO MATOS, DANIEL SEABRA assist\u00eancia \u203a JO\u00c3O QUINTELA m\u00fasica original trengo \u203a TEATRO MUNICIPAL DO PORTO, PORTO LAZER coprodu\u00e7\u00e3o\u00a0\u203a REPUBLICA PORTUGUESA – CULTURA\/ DIRE\u00c7\u00c3O GERAL DAS ARTES apoio\u00a0<\/span><\/p>\n

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 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  PROGRAMA RESUMO baixar aqui 30 JUNHO \u203a 30th June Arque\u0301tipo Acto II * \u203a Radar 360\u00ba (PT) \u203a 16:00 \u203a 45\u2019 \u203a Jardim Paulo Vallada De facto, ele na\u0303o e\u0301 o Romeu…e ela na\u0303o e\u0301 a Julieta, mas a performance propo\u0303e-se a ser a\u0300 sua maneira, uma reescrita improva\u0301vel de Shakespeare danc\u0327ado! Neste segundo […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"__cvm_playback_settings":[],"__cvm_video_id":"","jetpack_post_was_ever_published":false,"footnotes":""},"tags":[],"class_list":["post-389","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/P9YCMM-6h","_links":{"self":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/comments?post=389"}],"version-history":[{"count":21,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/389\/revisions"}],"predecessor-version":[{"id":794,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/389\/revisions\/794"}],"wp:attachment":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/media?parent=389"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/tags?post=389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}