{"id":2721,"date":"2025-05-13T14:46:54","date_gmt":"2025-05-13T14:46:54","guid":{"rendered":"https:\/\/www.ervadaninha.pt\/trengo.pt\/?page_id=2721"},"modified":"2025-06-03T09:18:56","modified_gmt":"2025-06-03T09:18:56","slug":"cream-jorge-lix-inac-pt","status":"publish","type":"page","link":"https:\/\/www.ervadaninha.pt\/trengo.pt\/cream-jorge-lix-inac-pt\/","title":{"rendered":"CREAM\u00a0| Jorge Lix \/ INAC [PT]\u00a0"},"content":{"rendered":"\n<p>28 jun e 29 jun 18h00 Parque Covelo | 40\u2019 | M3&nbsp;&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-683x1024.jpg\" alt=\"\" class=\"wp-image-2686\" style=\"aspect-ratio:1;object-fit:cover;width:398px\" srcset=\"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-683x1024.jpg 683w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-200x300.jpg 200w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-768x1152.jpg 768w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-1024x1536.jpg 1024w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-1366x2048.jpg 1366w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-16x24.jpg 16w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-24x36.jpg 24w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-32x48.jpg 32w, https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-content\/uploads\/2025\/05\/25cream-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n<\/div>\n\n\n<p>CREAM &#8211; Uma explora\u00e7\u00e3o da rela\u00e7\u00e3o entre o humano e a m\u00e1quina na era da tecnologia moderna.&nbsp;<\/p>\n\n\n\n<p>Esta performance de malabarismo oferece uma vis\u00e3o \u00fanica entre a express\u00e3o humana e a precis\u00e3o artificial, retratando a experi\u00eancia de um sujeito gradualmente absorvido por um sistema, levantando quest\u00f5es essenciais sobre o que significa ser humano num mundo dominado pela tecnologia.&nbsp;<\/p>\n\n\n\n<p>No cen\u00e1rio de um videogame, ambientada num espa\u00e7o em tons de pastel, a performance incorpora elementos de escape room, com uma s\u00e9rie de puzzles e desafios. Neste universo, o sujeito \u00e9 conduzido at\u00e9 ao final do jogo pela m\u00fasica em tom experimental que \u00e9 reproduzida ao vivo.&nbsp;<\/p>\n\n\n\n<p><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">CREAM &#8211; An exploration of the relationship between humans and machines in the era of modern technology.&nbsp;<\/mark><\/em><\/p>\n\n\n\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\"><em>This juggling performance offers a unique insight into the intersection of human expression and artificial precision, portraying the experience of an individual gradually absorbed by a system, raising fundamental questions about what it means to be human in a world dominated by technology.&nbsp;<\/em><\/mark><\/p>\n\n\n\n<p><em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Set within the context of a video game and placed in a space with pastel tones, the performance incorporates elements of an escape room, featuring a series of puzzles and challenges. In this universe, the subject is guided to the end of the game by live-played experimental music.&nbsp;<\/mark><\/em><\/p>\n\n\n\n<p>dire\u00e7\u00e3o <em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">direction <\/mark><\/em>JORGE LIX | interpreta\u00e7\u00e3o <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\"><em>performance<\/em> <\/mark>JORGE LIX e ANDR\u00c9 BORGES | olhar externo <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\"><em>external look<\/em><\/mark> VASCO GOMES, ERVA DANINHA | m\u00fasica original <em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">original music<\/mark> <\/em>ANDR\u00c9 BORGES | conceito cenogr\u00e1fico <em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">scenographic concept<\/mark><\/em> JORGE LIX | cenografia e adere\u00e7os <em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">scenography and props<\/mark><\/em> ANDR\u00c9 SANTOS | dire\u00e7\u00e3o t\u00e9cnica<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\"><em> technical direction<\/em><\/mark> ANDR\u00c9 FREITAS | figurinos <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\"><em>costumes <\/em><\/mark>BINA | identidade gr\u00e1fica, fotografia e v\u00eddeo <em><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">graphic identity, photography and video<\/mark><\/em> JORGE LUCAS&nbsp;<\/p>\n\n\n\n<p><a href=\"https:\/\/inac.com.pt\/\" target=\"_blank\" rel=\"noreferrer noopener\">Web<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>28 jun e 29 jun 18h00 Parque Covelo | 40\u2019 | M3&nbsp;&nbsp; CREAM &#8211; Uma explora\u00e7\u00e3o da rela\u00e7\u00e3o entre o humano e a m\u00e1quina na era da tecnologia moderna.&nbsp; Esta performance de malabarismo oferece uma vis\u00e3o \u00fanica entre a express\u00e3o humana e a precis\u00e3o artificial, retratando a experi\u00eancia de um sujeito gradualmente absorvido por um [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"__cvm_playback_settings":[],"__cvm_video_id":"","jetpack_post_was_ever_published":false,"footnotes":""},"tags":[],"class_list":["post-2721","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9YCMM-HT","_links":{"self":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/2721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/comments?post=2721"}],"version-history":[{"count":3,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/2721\/revisions"}],"predecessor-version":[{"id":2748,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/2721\/revisions\/2748"}],"wp:attachment":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/media?parent=2721"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/tags?post=2721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}