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<\/figure>\n<\/div>\n\n\nEstamos a desenhar uma performance que tem como refer\u00eancia as atra\u00e7\u00f5es de feiras e mercados europeus, dos finais do s\u00e9culo XIX e princ\u00edpios do s\u00e9culo XX, vulgarmente denominados de “FREAK SHOWS” ou “Espet\u00e1culos Bizarros”. Este tipo de manifesta\u00e7\u00f5es art\u00edsticas, tamb\u00e9m eram conhecidas como “SIDE SHOWS”, sendo a sua tradu\u00e7\u00e3o “Espet\u00e1culos Secund\u00e1rios” ou “Paralelos”. Historicamente, eram espet\u00e1culos reconhecidos, pelo seu car\u00e1ter sat\u00edrico e absurdo, que contrastava com a tens\u00e3o, o risco e o virtuosismo das proezas dos espet\u00e1culos de atra\u00e7\u00e3o principal. Exploravam o erro e a falha, como met\u00e1fora da fr\u00e1gil exist\u00eancia humana. A nossa abordagem art\u00edstica contempor\u00e2nea, pretende explorar as fronteiras do HUMOR, da ERR\u00c2NCIA e da ANOMALIA, como elementos dissuasores da tens\u00e3o do paradigma do mundo atual em que vivemos.<\/p>\n\n\n\n
We are designing a performance based on the attractions of European fairs and markets from the late 19th and early 20th centuries, commonly known as \u2018FREAK SHOWS\u2019 or \u2018Bizarre Shows\u2019.<\/mark><\/em> These kinds of artistic events were also known as \u2018SIDE SHOWS\u2019, which translates as \u2018Secondary\u2019 or \u2018Parallel\u2019 shows. Historically, they were shows recognised for their satirical and absurd character, which contrasted with the tension, risk and virtuosity of the main attraction shows. They explored error and failure as a metaphor for fragile human existence. Our contemporary artistic approach aims to explore the frontiers of HUMOUR, ERROR and ANOMALY, as a deterrent to the tension of the paradigm of the world we live in today. <\/mark><\/em><\/p>\n\n\n\n dire\u00e7\u00e3o art\u00edstica artistic direction<\/mark> ANT\u00d3NIO FRANCO de OLIVEIRA | interpreta\u00e7\u00e3o, performer<\/em><\/mark> ANA RITA XAVIER, ELVIS MENDES, JULIETA RODRIGUES, PEDRO ESTEVAM, PEDRO MATIAS<\/p>\n\n\n\n