{"id":1664,"date":"2022-06-20T13:04:02","date_gmt":"2022-06-20T13:04:02","guid":{"rendered":"http:\/\/www.ervadaninha.pt\/trengo.pt\/?page_id=1664"},"modified":"2022-06-20T14:12:43","modified_gmt":"2022-06-20T14:12:43","slug":"ficha-artistica-tecnica-falaise","status":"publish","type":"page","link":"https:\/\/www.ervadaninha.pt\/trengo.pt\/ficha-artistica-tecnica-falaise\/","title":{"rendered":"ficha art\u00edstica\/ t\u00e9cnica Falaise"},"content":{"rendered":"\n

autoria e encena\u00e7\u00e3o authors directors\u00a0<\/em><\/strong>CAMILLE DECOURTYE E BLA\u00cf MATEU TRIAS <\/em>|no palco on stage<\/em><\/strong> NO\u00cbMIE BOUISSOU, CAMILLE DECOURTYE, CLAIRE LAMOTHE, BLA\u00cf MATEU TRIAS, ORIOL PLA, JULIAN SICARD, MARTI SOLER, GUILLERMO WEICKERT, um cavalo e pombos |assist\u00eancia \u00e0 encena\u00e7\u00e3o assistant directors\u00a0<\/em><\/strong>MAR\u00cdA MU\u00d1OZ \u2013 PEP RAMIS \/ MAL PELO | apoio \u00e0 dramaturgia collaboration in dramaturgy<\/em><\/strong> BARBARA M\u00c9TAIS-CHASTANIER |cenografia set design<\/em><\/strong> LLUC CASTELLS | assistente de cenografia set design assistance<\/em><\/strong> MERC\u00c8 LUCCHETTI | colabora\u00e7\u00e3o musical e cria\u00e7\u00e3o sonora musical musical collaboration and sound creation<\/strong>\u00a0<\/em>FRED B\u00dcHL | desenho de luz lighting design<\/strong>\u00a0<\/em>AD\u00c8LE GR\u00c9PINET | figurinos costumes design<\/em><\/strong> C\u00c9LINE SATHAL | musica gravada recorded music\u00a0<\/em>JOEL BARDOLET | dire\u00e7\u00e3o t\u00e9cnica technical management<\/em><\/strong> S\u00c9BASTIEN REY\u00c9 |dire\u00e7\u00e3o de luz lights management<\/em><\/strong> NICOLAS ZURAW OU DAVID DEMEN\u00c9 | dire\u00e7\u00e3o de cena stage management<\/em><\/strong> MATHIEU MIORIN, C\u00c9DRIC BR\u00c9JOUX, BENJAMIN PORCEDDA E\/OU SONIA GRALL | dire\u00e7\u00e3o de som sound management\u00a0<\/em><\/strong>FRED B\u00dcHL OU RODOLPHE MOREIRA | tratador de animais animal care<\/em><\/strong> FRANCIS TABOURET OU PERRINE COMELLAS | coordena\u00e7\u00e3o t\u00e9cnica technical direction<\/em><\/strong> NINA PIRE | dire\u00e7\u00e3o de produ\u00e7\u00e3o e promo\u00e7\u00e3o head of production and promotion\u00a0<\/strong><\/em>LAURENT BALLAY | dire\u00e7\u00e3o administration<\/em><\/strong> CAROLINE MAZEAUD | comunica\u00e7\u00e3o communication<\/em><\/strong> ARIANE ZAYTZEFF | assistente de produ\u00e7\u00e3o production assistant<\/em><\/strong> PIERRE COMPAYR\u00c9 |estagi\u00e1ria INTERN<\/strong>\u00a0SARAH DUJONCQUOY | produ\u00e7\u00e3o production<\/em><\/strong>BARO D\u2019EVEL | espet\u00e1culo apoiado pelo
project beneficiary of <\/strong><\/em>THE\u00a0<\/strong> PYRENART CROSS-BORDER COOPERATION PROJECT, UNDER THE INTERREG V-A SPAIN-FRANCE-ANDORRA PROGRAMME POCTEFA 2014-2020 \u2013 EUROPEAN REGIONAL DEVELOPMENT FUND (ERDF) | com a ajuda de with the help from<\/em><\/strong> CIRCA, PNC, AUCH, GERS, OCCITANIA, TH\u00c9\u00c2TREDELACIT\u00c9 – CDN TOULOUSE OCCITANIA, LA BR\u00c8CHE, P\u00d4LE NATIONAL CIRQUE EN CHERBURGO, LES PRONOMADE(S) EN ALTO GARONA CNAR, LE TH\u00c9\u00c2TRE DE LORIENT Y L\u2019ANIMAL A L\u2019ESQUENA EN CELR\u00c0 | com o apoio de
with the support of <\/em>THE<\/strong>\u00a0DGCA, MINISTRY OF CULTURE AND COMMUNICATION, THE HAUTE-GARONNE COUNTY COUNCIL, THE GENERALITAT DE CATALUNYA,
INSTITUT CATAL\u00c0 DE LES EMPRESES CULTURALS AND THE CITY OF TOULOUSE | a companhia tem o apoio financeiro do the company is under financial agreement with<\/em><\/strong> MINIST\u00c9RIO DA CULTURA E COMUNICA\u00c7\u00c3O \u2013 DIRE\u00c7\u00c3O REGIONAL DOS ASSUNTOS CULTURAIS DA OCCITANIA\/ PIRIN\u00c9US \u2013 MEDITERR\u00c2NEO E REGI\u00c3O OCCITANIA\/ PIRIN\u00c9US \u2013 MEDITERR\u00c2NEO | coprodu\u00e7\u00e3o coproduction<\/em><\/strong>\u00a0GREC 2019 FESTIVAL DE BARCELONA, TEATRE LLIURE DE BARCELONE, TH\u00c9\u00c2TRE GARONNE – SC\u00c8NE EUROP\u00c9ENNE, MALRAUX – SC\u00c8NE NATIONALE CHAMB\u00c9RY SAVOIE, TH\u00c9\u00c2TREDELACIT\u00c9 \u2013 CDN TOULOUSE OCCITANIE, PRONOMADE(S) EN HAUTE-GARONNE, CNAR, L\u2019ARCHIPEL, SC\u00c8NE NATIONALE DE PERPIGNAN, MC93 \u2013 MAISON DE LA CULTURE DE SEINE-SAINT-DENIS, CIRCA – P\u00d4LE NATIONAL CIRQUE, AUCH GERS OCCITANIE, LE GRAND T, TH\u00c9\u00c2TRE DE LOIRE-ATLANTIQUE, LE PARVIS, SC\u00c8NE NATIONALE TARBES-PYR\u00c9N\u00c9ES, LES HALLES DE SCHAERBEEK – BRUXELLES, L\u2019ESTIVE, SC\u00c8NE NATIONALE DE FOIX ET DE L\u2019ARI\u00c8GE, CIRQUE JULES VERNE – P\u00d4LE NATIONAL CIRQUE, AMIENS, SC\u00c8NE NATIONALE D\u2019ALBI IN THE SCOPE OF THE SUPPORT FROM FONDOC, BONLIEU – SC\u00c8NE NATIONALE D\u2019ANNECY, LA COMUNIDAD DE MADRID (TEATROS DEL CANAL), LE DOMAINE D\u2019O (MONTPELLIER 3M), HOUDREMONT – SC\u00c8NE CONVENTIONN\u00c9E DE LA COURNEUVE, 2 P\u00d4LES CIRQUE EN NORMANDIE – LA BR\u00c8CHE \u00c0 CHERBOURG \/ CIRQUE-TH\u00c9\u00c2TRE D\u2019ELBEUF<\/p>\n","protected":false},"excerpt":{"rendered":"

autoria e encena\u00e7\u00e3o authors directors\u00a0CAMILLE DECOURTYE E BLA\u00cf MATEU TRIAS |no palco on stage NO\u00cbMIE BOUISSOU, CAMILLE DECOURTYE, CLAIRE LAMOTHE, BLA\u00cf MATEU TRIAS, ORIOL PLA, JULIAN SICARD, MARTI SOLER, GUILLERMO WEICKERT, um cavalo e pombos |assist\u00eancia \u00e0 encena\u00e7\u00e3o assistant directors\u00a0MAR\u00cdA MU\u00d1OZ \u2013 PEP RAMIS \/ MAL PELO | apoio \u00e0 dramaturgia collaboration in dramaturgy BARBARA […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth-page.php","meta":{"__cvm_playback_settings":[],"__cvm_video_id":"","jetpack_post_was_ever_published":false,"footnotes":""},"tags":[],"class_list":["post-1664","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/P9YCMM-qQ","_links":{"self":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/1664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/comments?post=1664"}],"version-history":[{"count":3,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/1664\/revisions"}],"predecessor-version":[{"id":1669,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/pages\/1664\/revisions\/1669"}],"wp:attachment":[{"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/media?parent=1664"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ervadaninha.pt\/trengo.pt\/wp-json\/wp\/v2\/tags?post=1664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}